The first thing you need to become a live DJ is lots of start-up money and time to learn the trade. Spinning discs to provide dance music in nightclubs or at wedding receptions requires transportation for the equipment that goes with the job. Most old-school deejays will bring actual vinyl records from their music collection but there are numerous ways to transfer the vinyls to digital format for those who prefer to work from a laptop. The other gear such as P.A. sound equipment, turntables, lights, and even fog machines can become a logistical nightmare so miniaturization is helpful.

The role of the mobile DJ becomes a performance that must have an original feel but at the same time satisfy some very clich and expected sound effects that are not subtle at high volume when the dancers need a cue to crank a knee to the side and an elbow in the air as they stake out territory like groups of lemmings. Conversation is impossible over the beat and body language is missed due to the social inhibitions that discourage interaction and eye contact among the crowd. The man behind the microphone can take the lead and only a brave soul can try to connect verbally in any way - he must take the responsibility of interacting with the audience.

Every DJ has a range of different techniques and someone starting out should get lessons and advice from an experienced professional. A live set is prepared well in advance to be interesting and smooth. The aspiring disc jockey would develop a basic idea of how he wants the live performance to go, keeping it flexible so he can respond to the crowd, and then he pre-beat matches everything, organizes loops/tracks, etc. He has to trigger loops, tweak effects, mix tracks together, and so on. A key element is being able to set loop points on the fly and then with that he can remix songs live.

Very often a person working as a deejay has dabbled in music production but doesn't actually play and instrument, sing, or understand music theory. They make the scene, socialize, gather contacts, and are good at promotion and hype. You have to be outgoing and energetic with nerves of steel...musicians don't bat an eyelash in front of large audiences from years on stage but being in control of the big dance music sound with no audience experience is nerve-wracking until there are enough gigs under the belt to be truly confident.

To get those gigs, you have to know a lot of people who know other people. Nightclubs managers and owners do the hiring so they must be contacted directly. Most DJs start by doing parties and wedding receptions where they can hone their craft before shooting for bigger venues. A willingness to travel can also give you the edge when looking for high-paying work. Earning better-than-average money is a must to justify all the expenses. Musicians, on the other hand, never seem to break even on the huge sums of money spent on gear, beer, and a young girl's tears.

Speaking of girls, the deejay has to spin music of artists that girls like to dance to, and the DJ as performer must play to the girls just as musicians do. The act that can bring girls into the club will succeed because the owner will magnify his sales after all the males show up knowing that there are girls hanging out at that venue. Once the drinks are flowing and the owner's smiling your job is secure.

The author is an SEO Consultant writing in consideration of an industry company BPM DJ Services who specialize as Wedding Reception Music DJs in the Greater Toronto Area of Ontario Canada.

Article Source: http://www.earticlesonline.com/Article/Starting-Out-as-a-Live-Dance-DJ/702441

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